Ginger Snaps (2000) Dir: John Fawcett

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Although I have tried to prioritise watching newer films this year, anyone who knows me, or who has read my reviews, will know that I have a lot of time for cult classics, particularly of the horror variety. This John Fawcett directed teen horror has been on my watchlist for a very long time. I had seen several stills from the film over the years, which only made me want to watch it more, and I couldn't wait to finally see why the film is so beloved even now.

The first thing to note was the cracking practical effects. I love how gross and goopy some of the gore was, and the practical and special effects for the creature in the film were excellent - CGI, eat your heart out. I loved bow grungy and broody the film was tonally and visually, it screamed nineties attitude and horror, with a sprinkling of grime and gore.

I loved how creepy and suspenseful the story was, especially in the first and third acts. In fact, I found it all surprisingly freaky, a feeling I truly revelled in. There's just something so visceral about a film like this, with its vivid and grimy effects, and its dark thematic material. Transformation as a theme, as well as a story beat, has been done so many times, but few have been done as well as this. I also adored how the sibling relationship evolved, as well as how it shaped the narrative - it made the climax in particular very emotionally compelling.

Katherine Isabelle's acting was as iconic as it was memorable, as she produced an intense, striking, and altogether brilliant leading performance worthy of such a well-made film. Her chemistry with co-star Emily Perkins was also clear to see, and allowed their sibling bond to feel believable and emotionally charged. Speaking of whom, I was also a big fan of Perkins, in what was a very different, but equally well-acted performance. She brought quieter, but equally rebellious and stubborn, traits to her character which were very enjoyable to watch develop.

The supporting cast's best performance came from Mimi Rogers, whose kore wholesome emotional state and strong maternal care for her on-screen children came through in spades. I also thought that the likes of Kris Lemche, Jesse Moss, and Danielle Hampton, also deserved at least a mention for their involvements in the film.

Overall, I absolutely loved this early noughties teen horror. I can't believe it took me so long to watch it, and I am so glad that I finally have. It was full of memorable performances, gruesome imagery, and interesting storytelling. This is a must-watch for horror fans, especially if you're the kind who loves strong-minded female characters and a little bit of youthful rebellion. Either way, I thought this was a truly great modern horror.