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The Crow (1994) Dir: Alex Proyas

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This 90s cult classic is one of the most visceral representations of the gothic subculture in cinema. The dark, brooding colours, the black clothing and the intense soundtrack all contribute to what is a brilliant revenge film.


The forever recognisable face paint has transcended the film, inspiring homage and creativity beyond cinema and into pop culture, including famous pro wrestler Sting, whose own face paint and persona was directly inspired by that of Eric Draven.


The film bleeds 90s grunge and rock music video feels. It's angst and heartache is an immaculate display of the time. The soundtrack is truly phenomenal and suits the film's aesthetics perfectly.


The combination of action and fantasy work well to create the gloomy and brooding landscape, further fueling the gothic aesthetic and feels.


Son of of acclaimed martial artist Bruce Lee; Brandon Lee, who tragically died during production, gives a very decent performance in the lead role. His little character quirks are so well tuned and he manages to make a challenging character rather sympathetic.


A relatively young Rochelle Davis also puts in a good display, managing to work well with her older colleagues without any trouble.


One of the best characters here is played by Ernie Hudson, who is genuinely very likeable and has good chemistry with both Lee and Davis.


Michael Wincott provides an interesting, if not entirely threatening antagonist, who has his moments, but never really reaches the levels of Lee.


Alongside him is Bai Ling, who fits so well into the gothic aesthetics in the film, and provides a good performance in a reasonably small role.


Emma Thomson has an adequate showing in her supporting role, though the quality of her scenes was a little inconsistent.


Sofia Shinas is another who doesn't have a whole lot of minutes, but I enjoyed the scenes she was in.


I'll also give mentions to some more supporting performances from Michael Massee, Laurence Mason, David Patrick Kelly and Angel David, each having their own moments that warranted note.


Overall, I think director Alex Proyas created a film that encapsulates the grime and grunge of the 90s, and brings to life an excellent anti-hero story with so much to love and enjoy.

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