Get Out (2017) Dir: Jordan Peele
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So, this one has been high on my watchlist for years now, particularly after watching director Jordan Peele's other film; 'Us' (2019) - which I loved.
What I've learned from these two films is that Peele has a very identifiable style; mixing his genius comedic timing with his arguably more genius horror storytelling.
Peele's real life experience of being a black man brought up by a single white mother has gifted him a unique perspective of social issues that many simply do not have.
This unique perspective is reflected in this film in a incredibly subtle yet intriguing way. What this means for the narrative is that Peele uses his deft hands and clever mind to mold and shape a wonderfully tense, slow build story that builds and builds, before twisting and taking you a new direction.
I will say, the twist is semi-predictable, but not fully. I half-guessed it. That isn't a criticism, more something other audience members may do too.
The soundtrack is well crafted, though Peele's use of sound improves in his next film. Visually, though not spectacular, this film's cinematography is very satisfying.
Daniel Kaluuya stars and provides a superb performance, which absolutely justifies the Oscar nomination he received for this as a result.
Allison Williams is another who gives an excellent performance, though she lost me a little towards the end.
Catherine Keener and Bradley Whitford provide brilliant performances in their supporting roles, each managing to play their characters exactly how they needed to.
The only actor I didn't enjoy so much was Caleb Landry Jones - his character was easily the weakest.
Lil Rel Howery is a hilarious actor, and manages to show that talent without taking away from the horror aspects of the film.
Finally, I'll mention some of the supporting cast, all of which deserve praise; those being Marcus Henderson, Betty Gabriel and Lakeith Stanfield.
Overall, this is a superb film and an incredible directorial debut for Jordan Peele. With his first attempt, he created what is already considered a classic of the horror genre and a film worthy of the immense and widespread acclaim it has received.
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